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Conversations with Friends: A Novel Kindle Edition
SALLY ROONEY NAMED TO THE TIME 100 NEXT LIST • WINNER OF THE SUNDAY TIMES (UK) YOUNG WRITER OF THE YEAR AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE DECADE • ONE OF THE TEN BEST BOOKS OF THE YEAR: Vogue, Slate • ONE OF THE BEST BOOKS OF THE YEAR: Elle
Frances is a coolheaded and darkly observant young woman, vaguely pursuing a career in writing while studying in Dublin. Her best friend is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, they meet a well-known photographer, and as the girls are then gradually drawn into her world, Frances is reluctantly impressed by the older woman’s sophisticated home and handsome husband, Nick. But however amusing Frances and Nick’s flirtation seems at first, it begins to give way to a strange—and then painful—intimacy.
Written with gemlike precision and marked by a sly sense of humor, Conversations with Friends is wonderfully alive to the pleasures and dangers of youth, and the messy edges of female friendship.
SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD
“Sharp, funny, thought-provoking . . . a really great portrait of two young women as they’re figuring out how to be adults.”—Celeste Ng, Late Night with Seth Meyers Podcast
“The dialogue is superb, as are the insights about communicating in the age of electronic devices. Rooney has a magical ability to write scenes of such verisimilitude that even when little happens they’re suspenseful.”—Curtis Sittenfeld, The Week
“Rooney has the gift of imbuing everyday life with a sense of high stakes . . . a novel of delicious frictions.”—New York
“A writer of rare confidence, with a lucid, exacting style . . . One wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge. . . . But Rooney’s natural power is as a psychological portraitist. She is acute and sophisticated about the workings of innocence; the protagonist of this novel about growing up has no idea just how much of it she has left to do.”—Alexandra Schwartz, The New Yorker
“This book. This book. I read it in one day. I hear I’m not alone.”—Sarah Jessica Parker (Instagram)
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- You underestimate your own power so you don’t have to blame yourself for treating other people badly. You tell yourself stories about it. Oh well, Bobbi’s rich, Nick’s a man, I can’t hurt these people. If anything they’re out to hurt me and I’m defending myself.Highlighted by 3,405 Kindle readers
- At any time I felt I could do or say anything at all, and only afterward think: oh, so that’s the kind of person I am.Highlighted by 2,790 Kindle readers
From the Publisher
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NORMAL PEOPLE
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NORMAL PEOPLE: The Scripts
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Customer Reviews |
4.1 out of 5 stars 127,462
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4.8 out of 5 stars 570
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Price | $9.01$9.01 | $19.04$19.04 |
MORE BY SALLY ROONEY | An Emmy-nominated Hulu original series. Normal People is the story of mutual fascination, friendship & love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. | Delve deeper into the Emmy- & Golden Globe–nominated Hulu series based on Sally Rooney's bestselling novel with this must-have collection of the Normal People scripts, featuring behind-the-scenes photos & an introduction by director Lenny Abrahamson. |
Editorial Reviews
Review
A Publishers Weekly Pick of the Week
One of Elle.com's Best Books of 2017
“A writer of rare confidence, with a lucid, exacting style… [O]ne wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge… But Rooney’s natural power is as a psychological portraitist. She is acute and sophisticated about the workings of innocence; the protagonist of this novel about growing up has no idea just how much of it she has left to do.”
– The New Yorker
“Rooney has the gift of imbuing everyday life with a sense of high stakes…a novel of delicious frictions.”
– Christian Lorentzen, New York Magazine
“The self-deceptions of a new generation are at the core of Sally Rooney’s debut, Conversations With Friends (Hogarth), which captures something wonderfully odd-cornered and real in the story of an Irish millennial…”
– Megan O'Grady, Vogue's 10 Best Books of 2017
"[A] bracing, miraculous debut."
– The Millions
“Sally Rooney’s debut novel is a remarkably charming exploration of that very uncharming subject: the human ego…Conversations With Friends sparkles with controlled rhetoric. But it ends up emphasizing the truths exploding in the silences.”
– Slate
“In this searing, insightful debut, Rooney offers an unapologetic perspective on the vagaries of relationships… a treatise on married life, the impact of infidelity, the ramifications of one’s actions, and how the person one chooses to be with can impact one’s individuality. Throughout, Rooney’s descriptive eye lends beauty and veracity to this complex and vivid story.”
– Publishers Weekly (starred)
“Readers who enjoyed Belinda McKeon's Tender and Caitriona Lally's Eggshells will enjoy this exceptional debut."
– Library Journal (starred)
"A smart, sexy, realistic portrayal of a woman finding herself."
– Booklist (starred)
“An astonishing assured debut.”
– The Bookseller
"The book of the summer...the wider issues underscoring her book – including race, sex and gender – which in her careful treatment, emerge far more complex and often funnier, than we could have ever imagined."
– Refinery29
"A very funny, very humanly messy tale of sexual and artistic self-discovery in which every page reveals shrewd emotional insight. Caught between laser-eyed irony and heart-melting sincerity, the book is a masterclass in narrative tone that left me desperate to read whatever Rooney writes next... An addictive, funny and truthful first novel about love and literature."
– Metro
“[Sally] Rooney has managed to take something old, the romance novel, and make it new: Frances is a bisexual communist student, allergic to expressing emotion, and her love affair is with a married man, and yet the book makes no attempt to make a moral stand on fidelity or punish its characters for their passions. The effect is, frankly, riveting, and creates a peculiar sensation of danger…An addictive read.”
– Rufi Thorpe, author of The Girls From Corona del Mar and Dear Fang, With Love
"Sally Rooney's writing is cool, wry and smooth, and gives the reader a sense of being in the lucky position of overhearing not only what fascinating strangers are talking about, but also what they're thinking. I was riveted til the last page."
– Emily Gould, author of Friendship
"Fascinating, ferocious and shrewd. Sally Rooney has the sharpest eye for all of the most delicate cruelties of human interaction."
– Lisa McInerney, author of The Glorious Heresies (winner of the Baileys Women's Prize for Fiction)
“[Sally] Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable…A clever and current book about a complicated woman and her romantic relationships.”
- Kirkus
"Rooney writes so well of the condition of being a young, gifted but self-destructive woman, both the mentality and physicality of it. She is alert to the invisible bars imprisoning the apparently free. Though herself young – she was born in 1991 – she has already been shortlisted for this year’s Sunday Times EFG short story award. Her hyperarticulate characters may fail to communicate their fragile selves, but Rooney does it for them in a voice distinctively her own."
- The Guardian
"A novelist to watch: An addictive debut, with nods to Tender is the Night, heralds a bright new talent."
- Sunday Times
“A contemporary love story so powerful, graceful and honest it left me reeling. [Conversations with Friends] is, by turns, astonishing, heart-rending and perfect; there's not a word out of place.”
– Luke Kennard, author of The Transition
"Sally Rooney is a writer going all the way to the top. Conversations with Friends features the 21st century, Irish descendents of Salinger's guileless wiseasses brought to life in prose as taut and coolly poised as early Bret Easton Ellis."
– Colin Barrett, author of Young Skins
"There's not a beat out of place in Sally Rooney’s astonishingly poised writing. Conversations with Friends is the most sophisticated and perceptive novel I've read about relationships in the 2010s."
– Gavin Corbett, author of This Is The Way and Green Glowing Skull
"Written with such precision and perceptiveness, full of arid humour and reckless despair, a novel of spine-tingling salience."
– Sara Baume, author of Spill Simmer Falter Wither and winner of the 2015 Geoffrey Faber Memorial Prize
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Bobbi and I first met Melissa at a poetry night in town, where we were performing together. Melissa took our photograph outside, with Bobbi smoking and me self-consciously holding my left wrist in my right hand, as if I was afraid the wrist was going to get away from me. Melissa used a big professional camera and kept lots of different lenses in a special camera pouch. She chatted and smoked while taking the pictures. She talked about our performance and we talked about her work, which we’d come across on the internet. Around midnight the bar closed. It was starting to rain then, and Melissa told us we were welcome to come back to her house for a drink.
We all got into the back of a taxi together and started fixing up our seat belts. Bobbi sat in the middle, with her head turned to speak to Melissa, so I could see the back of her neck and her little spoon-like ear. Melissa gave the driver an address in Monkstown and I turned to look out the window. A voice came on the radio to say the words: eighties . . . pop. . . classics. Then a jingle played. I felt excited, ready for the challenge of visiting a stranger’s home, already preparing compliments and certain facial expressions to make myself seem charming.
The house was a semi-detached red-brick, with a sycamore tree outside. Under the streetlight the leaves looked orange and artificial. I was a big fan of seeing the insides of other people’s houses, especially people who were slightly famous like Melissa. Right away I decided to remember everything about her home, so I could describe it to our other friends later and Bobbi could agree.
When Melissa let us in, a little red spaniel came racing up the hall and started barking at us. The hallway was warm and the lights were on. Next to the door was a low table where someone had left a stack of change, a hairbrush and an open tube of lipstick. There was a Modigliani print hanging over the staircase, a nude woman reclining. I thought: this is a whole house. A family could live here.
We have guests, Melissa called down the corridor.
No one appeared so we followed her into the kitchen. I remember seeing a dark wooden bowl filled with ripe fruit, and noticing the glass conservatory. Rich people, I thought. I was always thinking about rich people then. The dog had followed us to the kitchen and was snuffling around at our feet, but Melissa didn’t mention the dog so neither did we.
Wine? Melissa said. White or red?
She poured huge, bowl-sized glasses and we all sat around a low table. Melissa asked us how we’d started out performing spoken word poetry together. We had both just finished our third year of university at the time, but we’d been performing together since we were in school. Exams were over by then. It was late May.
Melissa had her camera on the table and occasionally lifted it to take a photograph, laughing self-deprecatingly about being a ‘work addict’. She lit a cigarette and tipped the ash into a kitschy-looking glass ashtray. The house didn’t smell of smoke at all and I wondered if she usually smoked in there or not.
I made some new friends, she said.
Her husband was in the kitchen doorway. He held up his hand to acknowledge us and the dog started yelping and whining and running around in circles.
This is Frances, said Melissa. And this is Bobbi. They’re poets.
He took a bottle of beer out of the fridge and opened it on the countertop.
Come and sit with us, Melissa said.
Yeah, I’d love to, he said, but I should try and get some sleep before this flight.
The dog jumped up on a kitchen chair near where he was standing and he reached out absently to touch its head. He asked Melissa if she had fed the dog, she said no. He lifted the dog into his arms and let the dog lick his neck and jaw. He said he would feed her, and he went back out the kitchen door again.
Nick’s filming tomorrow morning in Cardiff, said Melissa. We already knew that the husband was an actor. He and Melissa were frequently photographed together at events, and we had friends of friends who had met them. He had a big, handsome face, and looked like he could comfortably pick Melissa up under one arm and fend off interlopers with the other.
He’s very tall, Bobbi said.
Melissa smiled as if ‘tall’ was a euphemism for something, but not necessarily something flattering. The conversation moved on. We got into a short discussion about the government and the Catholic Church. Melissa asked us if we were religious and we said no. She said she found religious occasions, like funerals or weddings, ‘comforting in a kind of sedative way’. They’re communal, she said. There’s something nice about that for the neurotic individualist. And I went to a convent school so I still know most of the prayers.
We went to a convent school, said Bobbi. It posed issues. Melissa grinned and said: like what?
Well, I’m gay, said Bobbi. And Frances is a communist.
I also don’t think I remember any of the prayers, I said. We sat there talking and drinking for a long time. I remember that we talked about the poet Patricia Lockwood, who we admired, and also about what Bobbi disparagingly called ‘pay gap feminism’. I started to get tired and a little drunk. I couldn’t think of anything witty to say and it was hard to arrange my face in a way that would convey my sense of humour. I think I laughed and nodded a lot. Melissa told us she was working on a new book of essays. Bobbi had read her first one, but I hadn’t.
It’s not very good, Melissa told me. Wait till the next one comes out.
At about three o’clock, she showed us to the spare room and told us how great it was to meet us and how glad she was that we were staying. When we got into bed I stared up at the ceiling and felt very drunk. The room was spinning repetitively in short, consecutive spins. Once I adjusted my eyes to one rotation, another would begin immediately. I asked Bobbi if she was also having a problem with that but she said no.
She’s amazing, isn’t she? said Bobbi. Melissa. I like her, I said.
We could hear her voice in the corridor, and her footsteps taking her from room to room. Once when the dog barked we could hear her yell something, and then her husband’s voice. But after that we fell asleep. We didn’t hear him leave.
Bobbi and I had first met in secondary school. Back then Bobbi was very opinionated, and frequently spent time in detention for a behavioural offence our school called ‘disrupting teaching and learning’. When we were sixteen she got her nose pierced and took up smoking. Nobody liked her. She got temporarily suspended once for writing ‘fuck the patriarchy’ on the wall beside a plaster cast of the crucifixion. There was no feeling of solidarity around this incident. Bobbi was considered a show-off. Even I had to admit that teaching and learning went a lot more smoothly during the week she was gone.
When we were seventeen we had to attend a fundraising dance in the school assembly hall, with a partially broken disco ball casting lights on the ceiling and the barred-up windows. Bobbi wore a flimsy summer dress and looked like she hadn’t brushed her hair. She was radiantly attractive, which meant everyone had to work hard not to pay her any attention. I told her I liked her dress. She gave me some of the vodka she was drinking from a Coke bottle and asked if the rest of the school was locked up. We checked the door up to the back staircase and found it was open. All the lights were off and no one else was up there. We could hear the music buzzing through the floorboards, like a ringtone belonging to someone else. Bobbi gave me some more of her vodka and asked me if I liked girls. It was very easy to act unfazed around her. I just said: sure.
I wasn’t betraying anyone’s loyalties by being Bobbi’s girlfriend. I didn’t have close friends and at lunchtime I read textbooks alone in the school library. I liked the other girls, I let them copy my homework, but I was lonely and felt unworthy of real friendship. I made lists of the things I had to improve about myself. After Bobbi and I started seeing each other, everything changed. No one asked for my homework anymore. At lunchtime we walked along the car park holding hands and people looked away from us maliciously. It was fun, the first real fun I’d ever had.
After school we used to lie in her room listening to music and talking about why we liked each other. These were long and intense conversations, and felt so momentous to me that I secretly transcribed parts of them from memory in the evenings. When Bobbi talked about me it felt like seeing myself in a mirror for the first time. I also looked in actual mirrors more often. I started taking a close interest in my face and body, which I’d never done before. I asked Bobbi questions like: do I have long legs? Or short?
At our school graduation ceremony we performed a spoken word piece together. Some of the parents cried, but our classmates just looked out the assembly-room windows or talked quietly amongst themselves. Several months later, after more than a year together, Bobbi and I broke up.
Product details
- ASIN : B01M6XMA62
- Publisher : Crown; Reprint edition (July 11, 2017)
- Publication date : July 11, 2017
- Language : English
- File size : 2.4 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 313 pages
- Best Sellers Rank: #28,634 in Kindle Store (See Top 100 in Kindle Store)
- #34 in British & Irish Literary Fiction
- #256 in Women's Literary Fiction
- #261 in Coming of Age Fiction (Kindle Store)
- Customer Reviews:
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Conversations with Friends: A Novel
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About the author

SALLY ROONEY was born in the west of Ireland in 1991. Her work has appeared in The New Yorker, The New York Times, Granta and The London Review of Books. Winner of the Sunday Times Young Writer of the Year Award in 2017, she is the author of Conversations with Friends and the editor of the Irish literary journal The Stinging Fly.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book enjoyable and well-written. They appreciate the insightful writing style and emotional depth. However, some readers feel the book lacks value for money and feels too boring to finish. Opinions are mixed on the character development and narrative quality. Some find the characters deep and engaging, while others find them likable and dislikeable. There are also mixed reviews on the plot and conversation quality, with some finding it interesting and compelling, while others felt the story had almost no plot and was not as strong as in Normal People.
AI-generated from the text of customer reviews
Customers praise the writing quality of the book. They find the characters engaging, the stream-of-consciousness style is captivating, and the prose is beautiful. The author uses an economical and accurate vocabulary, demonstrating her vulnerability and creativity. Overall, readers describe the book as a compelling read with an intimate and vulnerable narrative voice.
"...I adore her stream of consciousness style of writing and I find all her stories to be such wonderful character studies...." Read more
"...What kept my interest was the quality of the prose. Rooney’s writing is subtle, and she has a real knack for dialogue and descriptions...." Read more
"...Also, there is intimacy and vulnerability in Rooney’s writing. Reading her feels like having a conversation with friends...." Read more
"...restrained, intentionally-limited prose that aimed to mimic the mindset of the first-person narrator,..." Read more
Customers enjoy the book. They find it engaging and praise the writing quality. The story explores close relationships and provides a rewarding experience.
"...your twenties, in a way the feels interesting and sad and tragic and cool- all the things I thought I was in my twenties lol I think the main reason..." Read more
"...discomfort and let the novel quietly get under your skin, it’s a fascinating read...." Read more
"...And for that alone, it's worth the time to read." Read more
"...Salary", which was sharp and excellent. (Almost as perfect as short stories can get. WOW.) So I felt driven to buy her novel...." Read more
Customers find the book has emotional depth and a mesmerizing exploration of intimacy, power, and self-destruction. They appreciate the characters' unique relationships and the author's thoughtful writing style. Readers feel invested enough to care about the characters and their humanity. The story is described as a study in the nature of close relationships, especially for young adults.
"...you have the main characters' thoughts at all times, so it's easy to empathize and, as the reader, you do. It's a great story, honestly...." Read more
"...with Friends” spirals into an unsettling but mesmerizing exploration of intimacy, power, and self-destruction...." Read more
"I liked this book but not enough to read it again. The main relationship felt very generic and I expected more from the ending." Read more
"...makes Rooney brilliant is that her characters feel REAL, sharing small moments of humanity. I want to be friends with all of them!..." Read more
Customers have mixed opinions about the character development. Some find the characters deep and engaging with real tension between them. Others feel the characters lack depth, are unlikable, and lack connection.
"...style of writing and I find all her stories to be such wonderful character studies...." Read more
"...The author writes very well, but the story and the characters are really bad...." Read more
"...closer, hypnotizing you with razor-sharp dialogue and characters that feel almost too real...." Read more
"...It didn’t seem to be going anywhere, and the characters seemed to chatter rather than say anything meaningful...." Read more
Customers have different views on the narrative quality. Some find the characters interesting and the story enjoyable, with a spicy sounding storyline and realistic ending. Others feel the plot is thin, repetitive, and lacks depth.
"...making that is your twenties, in a way the feels interesting and sad and tragic and cool- all the things I thought I was in my twenties lol I think..." Read more
"...There’s very little telling in this novel, just stark, sometimes painfully precise observations that leave the reader to interpret, judge, or..." Read more
"...Rooney’s writing is subtle, and she has a real knack for dialogue and descriptions...." Read more
"...to mimic the mindset of the first-person narrator, and a casual simplicity of plot...." Read more
Customers have different views on the conversation quality. Some find it engaging, with intimate and vulnerable writing that makes it suitable for casual book clubs. Others feel the conversations are overwrought, pretentious, and trivial, not insightful or enjoyable.
"...I want to be friends with all of them! Also, there is intimacy and vulnerability in Rooney’s writing...." Read more
"...It is my least favorite of her books because of its rambling conversations and thin plot...." Read more
"...Loved how it was both physical and highly cerebral, and adored the intimate and frank look at women's sexuality and health as well...." Read more
"It took me 7 chapters to get hooked. The editorial style of conversation is frustrating (it takes quite the effort to figure out, who is speaking)...." Read more
Customers have different views on the narrative style. Some find it detailed and honest, with nuanced characters and emotion conveyed effectively. Others find it pretentious, superficial, and lacking imagination. While some readers appreciate the non-traditional style, others feel it lacks depth and is boring.
"...study "how the author did what she did" -- so many scenes were pitched just right, compelling, and exquisite...." Read more
"...The women characters come off petty, mean, shallow and superficial. They reminded me of "Mean girls" in high school...." Read more
"...Love love loveeeed her descriptive writing regarding the senses. Loved everything about this gem, I can’t think of anything to be disliked about it...." Read more
"...I thought they were artificial and dull. The affair between two of the main characters seemed superficial...." Read more
Customers find the book boring and uninteresting. They feel it's a waste of time and resources. The characters are described as self-absorbed and trite. Some readers felt the book had no impact on them and found themselves losing interest often.
"...are never the same after each book you read, well... this book made no impact on me, I just rushed and finished it so I could start a good book..." Read more
"...Rooney's characters are somewhat complex, but wildly out of touch (intentional?)...." Read more
"...I just keep coming back to how incredibly boring and dry it was. I also really had a problem with the style of the book...." Read more
"...First, the characters are unlikeable and not interesting. The women characters come off petty, mean, shallow and superficial...." Read more
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Recommended by Sarah Jessica Parker
Top reviews from the United States
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- Reviewed in the United States on September 29, 2023I got on the Sally Rooney train after reading Normal People, and I've read every single book she's put out since then. I adore her stream of consciousness style of writing and I find all her stories to be such wonderful character studies. If there's anything this woman can do, it's write a character that is so, so, annoying but tragically relatable. Her debut novel, Conversations with Friends, perfectly encapsulates that feeling.
The story follows two women in their twenties who get involved with an older 'cool' married couple, illustrating the age old adage of "No, you don't get it, they're not right for each other and we are!!" It's a tired trope, but people fall for it all the time in real life so it makes sense. In this book, however, it's more interesting because you have the main characters' thoughts at all times, so it's easy to empathize and, as the reader, you do.
It's a great story, honestly. It really captures the chaos and bad decision making that is your twenties, in a way the feels interesting and sad and tragic and cool- all the things I thought I was in my twenties lol I think the main reason you should read it though is because Sally Rooney always has a lot of really intelligent and interesting things to say and this book is full of those things. Read it!
- Reviewed in the United States on March 5, 2025This was my first Sally Rooney book, but certainly not my last. At first, I thought I had stumbled into a space where my 20s met Patti Smith’s “Just Kids” autobiography and both collided with my 40s spiritual and intellectual awakening (hey, don’t judge;, I’m a millennial, 40 is our 20).
But 50 pages in, I realised I had completely misjudged the ride. “Conversations with Friends” spirals into an unsettling but mesmerizing exploration of intimacy, power, and self-destruction. It’s like a rollercoaster ride through a dark house filled with the ghosts of depression, alcoholism, anxiety, insecurity, and blurred moral lines. And yet, instead of wanting to flee, Rooney’s writing pulls you in closer, hypnotizing you with razor-sharp dialogue and characters that feel almost too real.
It’s basically “Closer” for Gen Z (and young millennials like me).
There’s very little telling in this novel, just stark, sometimes painfully precise observations that leave the reader to interpret, judge, or empathize. Frances, the protagonist, is both self-aware and deeply lost, caught in a tangled dynamic with her best friend Bobbi and the married couple, Melissa and Nick. The relationships are murky, sometimes thrilling, sometimes infuriating, but always compelling.
That said, this book isn’t for everyone. The characters, especially Frances, can be frustratingly passive, and the lack of quotation marks in dialogue takes some getting used to. It’s not a novel that hands you resolutions or neatly packaged character growth. It’s messy, introspective, and unapologetically restrained.
But if you’re willing to sit with discomfort and let the novel quietly get under your skin, it’s a fascinating read. Sally Rooney has a gift for making the most casual exchanges feel electric and exposing the deep vulnerability in even the most detached characters. “Conversations with Friends” isn’t just about romance or friendship, it’s about the painful and sometimes toxic negotiations we make with ourselves and each other in the name of love, identity and belonging.
4 stars because while it left a lasting impression, it also left me wanting just a little more.
- Reviewed in the United States on June 5, 2024Frances is 21 years old, works at a job she is not at all engaged with and almost would seem to prefer to not have, goes to college, and performs her spoken word poetry with her best friend/ex-girlfriend Bobbi at night. The latter has gotten enough attention to draw into their orbit Melissa, a 30something writer and photographer who wants to profile them, and her husband Nick, a working actor who has found only minor success. While Melissa and Bobbi hit it off, Frances and Nick develop a connection of their own and it’s not too long before they wind up in bed together. This doesn’t feel like a spoiler, as it is very obvious that it’s going to end up there. This obviously has reverberations for Frances’s relationships with both Bobbi and Melissa. Sally Rooney is one of those authors that has a devoted following, so I was really excited to start reading her work with this, her debut novel. But if I’m being honest, I didn’t really understand the fuss. This is a character book, which I’m inclined to like, but without a character I found compelling. Frances is a frustrating protagonist. Not because she’s aimless or sleeps with someone else’s husband or is trying to figure out who she is, but because she’s just not very interesting while she’s doing all of that. I didn’t find her unlikeable, I just found her boring. I found myself wondering why and even if I was supposed to care about her or her connections with Nick, Bobbi, and Melissa. I had a hard time understanding how a person seemingly so empty and detached could write poetry that was engaging enough to get anyone’s attention. What kept my interest was the quality of the prose. Rooney’s writing is subtle, and she has a real knack for dialogue and descriptions. Her words are clearly deliberately chosen but she never slides into flowery language. Her use of language alone makes me want to read her other books, but I hope they’re better than this one.
Top reviews from other countries
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Ana MuñozReviewed in Mexico on January 4, 2023
5.0 out of 5 stars Buen libro!
Llego en muy buenas condiciones
- Riccardo degli AntoniniReviewed in Italy on January 7, 2025
5.0 out of 5 stars sally slays again
my favorite of her books honestly, the story is peculiar and the characters are portrayed beautifully
- JasperReviewed in France on November 9, 2024
5.0 out of 5 stars Intime
Super book , I loved it and found it hard to put down. I liked it more than Intermezzo ( just a little ) Reading the book for me was like interacting with new interesting friends as they navigated their relationships.
- JosephReviewed in Turkey on September 19, 2024
4.0 out of 5 stars good print good book
loved the cover and the book
- PaulinaReviewed in the Netherlands on August 30, 2024
5.0 out of 5 stars easy to read
perfevt book to read in one evening