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The Lincoln HighwayAmazon Live Books

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The Lincoln Highway: A Novel Kindle Edition

by Amor Towles (Author) Format: Kindle Edition

4.4 85,470 ratings

Editors' pick Best Literature & Fiction

See all formats and editions

#1 NEW YORK TIMES BESTSELLER

More than ONE MILLION copies sold

A TODAY Show Read with Jenna Book Club Pick

A New York Times Notable Book, a New York Times Readers’ Choice Best Book of the Century, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year

“Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review

“A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club

“Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates

“A real joyride . . . elegantly constructed and compulsively readable.” —NPR

The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York.

Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates

From the Publisher

A wise and wildly entertaining novel, says TNYTBR about THE LINCOLN HIGHWAY

Like all the best storytellers, [Towles] has range, says Bill Gates about Amor Towles

#1 New York Times bestselling author ARMOR TOWLES

WARNING: California’s Proposition 65

Editorial Reviews

Amazon.com Review

An Amazon Best Book of October 2021: The Lincoln Highway might just be one of the best novels of this decade, which is a feat considering A Gentleman in Moscow, also holds that distinction (in this reviewer’s mind, anyway). Set in the 1950s, The Lincoln Highway is filled with nostalgia as well as the gentle naïveté and hijinks of those who are young, optimistic, and on a mission. The story follows four boys who set out to travel the country in search of a fresh start: Emmett and Billy want to find their mother who left them when they were young, and Duchess and Woolly are on the hunt for a stashed wad of cash. Sometimes their dreams are aligned but often they are not. In other words, adventure ensues: There’s train hopping and car stealing, and with that comes the inevitability of trouble sparked from both good and bad intentions. Each of these young men is chasing his dreams, but their pasts—whether violent or sad—are never far behind. A remarkable work of storytelling that is a 2021 favorite. —Al Woodworth, Amazon Editor

Review

Praise for The Lincoln Highway:

“[A] mischievous, wise and wildly entertaining novel . . . Towles goes all in on the kind of episodic, exuberant narrative haywire found in myth or Homeric epic . . . Each [character], Towles implies, is the central protagonist of an ongoing adventure that is both unique and universal . . . remarkably buoyant . . . permeated with light, wit, youth . . . Towles has snipped off a minuscule strand of existence—10 wayward days—and when we look through his lens we see that this brief interstice teems with stories, grand as legends.” —Chris Batcheldor, New York Times Book Review

“Not only is it one of the most beautifully written books I have ever picked up, it’s a story about hope, friendship and companionship in a time when we need it so much . . . Towles brilliantly captures the inner reality of each [character] with profound and poetic prose. All eight of them are incredible forces in literature . . . Amor Towles is one of those authors that I think will become a Steinbeck of our generation and [...] I think The Lincoln Highway will be a classic that we will read for years to come.” —Jenna Bush Hager, Read With Jenna book club

“Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” —Bill Gates

“[A] real joyride . . . hitch onto this delightful tour de force and you'll be pulled straight through to the end, helpless against the inventive exuberance of Towles' storytelling . . . The Lincoln Highway is elegantly constructed and compulsively readable . . . action-packed . . . There's so much to enjoy in this generous novel packed with fantastic characters [...] and filled with digressions, magic tricks, sorry sagas, retributions, and the messy business of balancing accounts.” —NPR.org

“Gorgeously crafted . . . Towles binds the novel with compassion and scrupulous detail . . . Towles draws a line between the social maladies of then and now, connecting the yearnings of his characters with our own volatile era. He does it with stylish, sophisticated storytelling . . . The novel embraces the contradictions of our character with a skillful hand, guiding the reader forward with 'a sensation of floating – like one who’s being carried down a wide river on a warm summer day.'” —Washington Post

“The astonishingly versatile author of Rules of Civility and A Gentleman in Moscow returns with an American picaresque destined to become a classic . . . adventures and memorable characters abound. Using multiple points-of-view and shifting from comedy to tragedy and back again, Towles enthralls.” —O Quarterly

“[A] captivating piece of historical fiction . . . transporting . . . a rollicking cross-country adventure, rife with unforgettable characters, vivid scenery and suspense that will keep readers flying through the pages.” —TIME

“[The] notion of American openness, of ever-fractalizing free will, coming up against the fickle realities of fate is the tension that powers Towles’ exciting, entertaining […] picaresque . . . Stories can bring us back to ourselves, Towles seems to say, if only we are open to receiving their power . . . Anyone who follows The Lincoln Highway will relish the trip.” —Los Angeles Times

[E]xhilarating . . . this multiperspective story offers an abundance of surprising detours and run-ins.” —Gregory Cowles, The New York Times Book Review

“Welcome to the enormous pleasure that is The Lincoln Highway, a big book of camaraderie and adventure in which the miles fly by and the pages turn fast. Set over the course of ten riveting days, the story of these four boys unfolds, refolds, tears, and is taped back together. When you aren’t actually reading the book, you’ll be worrying about the characters, so you might as well stay in your chair and keep reading.” —Ann Patchett, author of The Dutch House

“Captivating . . . The Lincoln Highway has suspense, humor, philosophy, and a strong sense of time and place, moving quickly and surely toward a satisfying conclusion . . . Like the intercontinental route that it is named for, The Lincoln Highway is long and filled with intriguing detours. In the hands of a master wordsmith like Towles, it is definitely worth the trip.” —St. Louis Post-Dispatch

“An enthralling odyssey.” —People

“Absorbing.” —USA Today

“[A] reason to rejoice.” —The Millions

“A wild ride through Americana.” —Buzzfeed

“An absolute beauty of a book. Every character is a gem, the many locations spring to vivid life, the book is an intricate and moving exploration of journeys and the infinite unexpected turns they can take—and somehow Towles makes it all seem effortless. As soon as I finished it, I wanted to read it again.” —Tana French, bestselling author of The Searcher

“[A] bracing, heroic adventure . . . Towles plays stylishly with elements of the picaresque, the coming-of-age novel and the epic quest . . . The indelible final scene, which I did not see coming, perfectly encapsulates the theme of inheritance, and what choices the characters make about what they are given, to determine their own fates.” —Seattle Times

“[The Lincoln Highway] loses none of the author’s trademark wit or style . . . a cross-country adventure packed with unexpected twists and unforgettable action.” —Town & Country

“The Lincoln Highway is a road novel that celebrates the mythos of an era via a cross-country highway . . . Readers [...] will delight in this travelogue's touchstones.” —Star-Tribune

“History [and] adventure collide in The Lincoln Highway . . . The pace is fast and writing concise, making it a digestible read whether in bed or at a loud coffee shop.” —Associated Press

“Magnificent . . . Towles is a supreme storyteller, and this one-of-a-kind kind of novel isn’t to be missed.” —Publishers Weekly (starred)

“Towles’ third novel is even more entertaining than his much-acclaimed A Gentleman in Moscow . . .A remarkable blend of sweetness and doom, [The Lincoln Highway] is packed with revelations about the American myth, the art of storytelling, and the unrelenting pull of history. An exhilarating ride through Americana.” —Kirkus Reviews (starred)

“Packed with drama . . . Towles’ fans will be rewarded with many of the same pleasures they’ve come to expect from him: a multitude of stories told at a leisurely pace (the novel clocks in at 592 pages); numerous endearing and sometimes maddening characters; and pitch-perfect plotting with surprises at every turn . . . Towles has created another winning novel whose pages are destined to be turned—and occasionally tattered—by gratified readers.” —BookPage (starred)

“[A] playfully thought-provoking novel . . . [Towles] juggles the pieces of his plot deftly, shifting from voice to voice, skirting sentimentality and quirkiness with a touch of wistful regret, and leading up to an ending that is bound to provoke discussion.” —Booklist (starred)

“[The Lincoln Highway] is reason to rejoice for Towles’s millions of fans, who made his first two novels, Rules of Civility and A Gentleman in Moscow, runaway international bestsellers.” —The Millions

About the Author

Amor Towles is the author of the New York Times bestsellers Rules of Civility, A Gentleman in Moscow, and The Lincoln Highway. The three novels have collectively sold millions of copies and have been translated into more than thirty-five languages. Towles lives in Manhattan with his wife and two children.

Excerpt. © Reprinted by permission. All rights reserved.

Emmett

June 12, 1954—The drive from Salina to Morgen was three hours, and for much of it, Emmett hadn’t said a word. For the first sixty miles or so, Warden Williams had made an effort at friendly conversation. He had told a few stories about his childhood back East and asked a few questions about Emmett’s on the farm. But this was the last they’d be together, and Emmett didn’t see much sense in going into all of that now. So when they crossed the border from Kansas into Nebraska and the warden turned on the radio, Emmett stared out the window at the prairie, keeping his thoughts to himself.

When they were five miles south of town, Emmett pointed through the windshield.

—You take that next right. It’ll be the white house about four miles down the road.

The warden slowed his car and took the turn. They drove past the McKusker place, then the Andersens’ with its matching pair of large red barns. A few minutes later they could see Emmett’s house standing beside a small grove of oak trees about thirty yards from the road. To Emmett, all the houses in this part of the country looked like they’d been dropped from the sky. The Watson house just looked like it’d had a rougher landing. The roof line sagged on either side of the chimney and the window frames were slanted just enough that half the windows wouldn’t quite open and the other half wouldn’t quite shut. In another moment, they’d be able to see how the paint had been shaken right off the clapboard. But when they got within a hundred feet of the driveway, the warden pulled to the side of the road.

—Emmett, he said, with his hands on the wheel, before we drive in there’s something I’d like to say.

That Warden Williams had something to say didn’t come as much of a surprise. When Emmett had first arrived at Salina, the warden was a Hoosier named Ackerly, who wasn’t inclined to put into words a piece of advice that could be delivered more efficiently with a stick. But Warden Williams was a modern man with a master’s degree and good intentions and a framed photograph of Franklin D. Roosevelt hanging behind his desk. He had notions that he’d gathered from books and experience, and he had plenty of words at his disposal to turn them into counsel.

—For some of the young men who come to Salina, he began, whatever series of events has brought them under our sphere of influence is just the beginning of a long journey through a life of trouble. They’re boys who were never given much sense of right or wrong as children and who see little reason for learning it now. Whatever values or ambitions we try to instill in them will, in all likelihood, be cast aside the moment they walk out from under our gaze. Sadly, for these boys it is only a matter of time before they find themselves in the correctional facility at Topeka, or worse.

The warden turned to Emmett.

—What I’m getting at, Emmett, is that you are not one of them. We haven’t known each other long, but from my time with you I can tell that that boy’s death weighs heavily on your conscience. No one imagines what happened that night reflects either the spirit of malice or an expression of your character. It was the ugly side of chance. But as a civilized society, we ask that even those who have had an unintended hand in the misfortune of others pay some retribution. Of course, the payment of the retribution is in part to satisfy those who’ve suffered the brunt of the misfortune—like this boy’s family. But we also require that it be paid for the benefit of the young man who was the agent of misfortune. So that by having the opportunity to pay his debt, he too can find some solace, some sense of atonement, and thus begin the process of renewal. Do you understand me, Emmett?

—I do, sir.

—I’m glad to hear it. I know you’ve got your brother to care for now and the immediate future may seem daunting; but you’re a bright young man and you’ve got your whole life ahead of you. Having paid your debt in full, I just hope you’ll make the most of your liberty.

—That’s what I intend to do, Warden.

And in that moment, Emmett meant it. Because he agreed with most of what the warden said. He knew in the strongest of terms that his whole life was ahead of him and he knew that he needed to care for his brother. He knew too that he had been an agent of misfortune rather than its author. But he didn’t agree that his debt had been paid in full. For no matter how much chance has played a role, when by your hands you have brought another man’s time on earth to its end, to prove to the Almighty that you are worthy of his mercy, that shouldn’t take any less than the rest of your life.

The warden put the car in gear and turned into the Watsons’. In the clearing by the front porch were two cars—a sedan and a pickup. The warden parked beside the pickup. When he and Emmett got out of the car, a tall man with a cowboy hat in his hand came out the front door and off the porch.

—Hey there, Emmett.

—Hey, Mr. Ransom.

The warden extended his hand to the rancher.

—I’m Warden Williams. It was nice of you to take the trouble to meet us.

—It was no trouble, Warden.

—I gather you’ve known Emmett a long time.

—Since the day he was born.

The warden put a hand on Emmett’s shoulder.

—Then I don’t need to explain to you what a fine young man he is. I was just telling him in the car that having paid his debt to society, he’s got his whole life ahead of him.

—He does at that, agreed Mr. Ransom. The three men stood without speaking.
The warden had lived in the Midwest for less than a year now, but he knew from standing at the foot of other farmhouse porches that at this point in a conversation you were likely to be invited inside and offered something cool to drink; and when you received the invitation, you should be ready to accept because it would be taken as rude if you were to decline, even if you did have a three-hour drive ahead of you. But neither Emmett nor Mr. Ransom made any indication of asking the warden in.

—Well, he said after a moment, I guess I should be heading back. Emmett and Mr. Ransom offered a final thanks to the warden, shook his hand, then watched as he climbed in his car and drove away.

The warden was a quarter mile down the road when Emmett nodded toward the sedan.

—Mr. Obermeyer’s?

—He’s waiting in the kitchen.

—And Billy?

—I told Sally to bring him over a little later, so you and Tom can get your business done.
Emmett nodded.

—You ready to go in? asked Mr. Ransom.

—The sooner the better, said Emmett.

They found Tom Obermeyer seated at the small kitchen table. He was wearing a white shirt with short sleeves and a tie. If he was also wearing a suit coat, he must have left it in his car because it wasn’t hanging on the back of the chair.

When Emmett and Mr. Ransom came through the door, they seemed to catch the banker off his guard, because he abruptly scraped back the chair, stood up, and stuck out his hand all in a single motion.

—Well, hey now, Emmett. It’s good to see you. Emmett shook the banker’s hand without a reply.
Taking a look around, Emmett noted that the floor was swept, the counter clear, the sink empty, the cabinets closed. The kitchen looked cleaner than at any point in Emmett’s memory.

—Here, Mr. Obermeyer said, gesturing to the table. Why don’t we all sit down.

Emmett took the chair opposite the banker. Mr. Ransom remained standing, leaning his shoulder against the doorframe. On the table was a brown folder thick with papers. It was sitting just out of the banker’s reach, as if it had been left there by somebody else. Mr. Obermeyer cleared his throat.

—First of all, Emmett, let me say how sorry I am about your father. He was a fine man and too young to be taken by illness.

—Thank you.

—I gather when you came for the funeral that Walter Eberstadt had a chance to sit down with you and discuss your father’s estate.

—He did, said Emmett.
The banker nodded with a look of sympathetic understanding.

—Then I suspect Walter explained that three years ago your father took out a new loan on top of the old mortgage. At the time, he said it was to upgrade his equipment. In actuality, I suspect a good portion of that loan went to pay some older debts since the only new piece of farm equipment we could find on the property was the John Deere in the barn. Though I suppose that’s neither here nor there.

Emmett and Mr. Ransom seemed to agree that this was neither here nor there because neither made any effort to respond. The banker cleared his throat again.

—The point I’m getting to is that in the last few years the harvest wasn’t what your father had hoped; and this year, what with your father’s passing, there isn’t going to be a harvest at all. So we had no choice but to call in the loan. It’s an unpleasant bit of business, I know, Emmett, but I want you to understand that it was not an easy decision for the bank to make.

—I should think it would be a pretty easy decision for you to make by now, said Mr. Ransom, given how much practice you get at making it.

The banker looked to the rancher.

—Now, Ed, you know that’s not fair. No bank makes a loan in hopes of foreclosing.

The banker turned back to Emmett.

—The nature of a loan is that it requires the repayment of interest and principal on a timely basis. Even so, when a client in good standing falls behind, we do what we can to make concessions. To extend terms and defer collections. Your father is a perfect example. When he began falling behind, we gave him some extra time. And when he got sick, we gave him some more. But sometimes a man’s bad luck becomes too great to surmount, no matter how much time you give him.

The banker reached out his arm to lay a hand on the brown folder, finally claiming it as his own.

—We could have cleared out the property and put it up for sale a month ago, Emmett. It was well within our rights to do so. But we didn’t. We waited so that you could complete your term at Salina and come home to sleep in your own bed. We wanted you to have a chance to go through the house with your brother in an unhurried fashion, to organize your personal effects. Hell, we even had the power company leave on the gas and electricity at our own expense.

—That was right kind of you, said Emmett. Mr. Ransom grunted.

—But now that you are home, continued the banker, it’s probably best for everyone involved if we see this process through to its conclusion. As the executor of your father’s estate, we’ll need you to sign a few papers. And within a few weeks, I’m sorry to say, we’ll need you to make arrangements for you and your brother to move out.

—If you’ve got something that needs signing, let’s sign it.

Mr. Obermeyer took a few documents from the folder. He turned them around so that they were facing Emmett and peeled back pages, explaining the purpose of individual sections and subsections, translating the terminology, pointing to where the documents should be signed and where initialed.

—You got a pen?

Mr. Obermeyer handed Emmett his pen. Emmett signed and initialed the papers without consideration, then slid them back across the table.

—That it?

—There is one other thing, said the banker, after returning the documents safely to their folder. The car in the barn. When we did the routine inventory of the house, we couldn’t find the registration or the keys.

—What do you need them for?

—The second loan your father took out wasn’t for specific pieces of agricultural machinery. It was against any new piece of capital equipment purchased for the farm, and I’m afraid that extends to personal vehicles.

—Not to that car it doesn’t.

—Now, Emmett . . .

—It doesn’t because that piece of capital equipment isn’t my father’s. It’s mine.

Mr. Obermeyer looked to Emmett with a mixture of skepticism and sympathy—two emotions that in Emmett’s view had no business being on the same face at the same time. Emmett took his wallet from his pocket, withdrew the registration, and put it on the table.
The banker picked it up and reviewed it.

—I see that the car is in your name, Emmett, but I’m afraid that if it was purchased by your father on your behalf . . .

—It was not.

The banker looked to Mr. Ransom for support. Finding none, he turned back to Emmett.

—For two summers, said Emmett, I worked for Mr. Schulte to earn the money to buy that car. I framed houses. Shingled roofs. Repaired porches. As a matter of fact, I even helped install those new cabinets in your kitchen. If you don’t believe me, you’re welcome to go ask Mr. Schulte. But either way, you’re not touching that car.

Mr. Obermeyer frowned. But when Emmett held out his hand for the registration, the banker returned it without protest. And when he left with his folder, he wasn’t particularly surprised that neither Emmett nor Mr. Ransom bothered seeing him to the door.

When the banker was gone, Mr. Ransom went outside to wait for Sally and Billy, leaving Emmett to walk the house on his own.

Like the kitchen, Emmett found the front room tidier than usual— with the pillows propped in the corners of the couch, the magazines in a neat little stack on the coffee table, and the top of his father’s desk rolled down. Upstairs in Billy’s room, the bed was made, the collections of bottle caps and bird feathers were neatly arranged on their shelves, and one of the windows had been opened to let in some air. A window must have been opened on the other side of the hall too because there was enough of a draft to stir the fighter planes hanging over Billy’s bed: replicas of a Spitfire, a Warhawk, and a Thunderbolt.

Product details

ASIN ‏ : ‎ B08WRH53MY
Publisher ‏ : ‎ Viking (October 5, 2021)
Publication date ‏ : ‎ October 5, 2021
Language ‏ : ‎ English
File size ‏ : ‎ 3.7 MB
Text-to-Speech ‏ : ‎ Enabled
Screen Reader ‏ : ‎ Supported
Enhanced typesetting ‏ : ‎ Enabled
X-Ray ‏ : ‎ Enabled
Word Wise ‏ : ‎ Enabled
Print length ‏ : ‎ 588 pages

Best Sellers Rank: #7,685 in Kindle Store (See Top 100 in Kindle Store)
- #77 in Historical Literary Fiction
- #93 in Coming of Age Fiction (Kindle Store)
- #173 in Coming of Age Fiction (Books)

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Customers enjoy the book's readability and engaging characters. They praise the writing quality, describing it as great and well-crafted. The storyline is interesting and holds lessons for readers. The adventures are described as fun and engaging.

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Readability Character development Writing quality Storytelling Insight Adventure Storyline Pacing

1,156 customers mention "Readability"1,031 positive125 negative

Customers enjoy the book's readability. They find the characters engaging and the adventures captivating. The writing is excellent and would make a great movie or series. Readers appreciate the clever, almost poetic ending.

"...While The Lincoln Highway, is a very satisfying reading experience, the plotting is far from predictable and it keeps the reader's attention with..." Read more

"...But overall, it was a worthy read." Read more

"...He also drops a few lines of prose that are terrific. Overall I'd definitely cross the country with these characters again. 5/5." Read more

"...The Lincoln Highway’ could be a great book. Towles has the talent, no question. But for some reason he doesn’t stick to the story...." Read more

660 customers mention "Character development"558 positive102 negative

Customers appreciate the complex personalities and dreams of the characters. They find the tragic histories interesting and the main character frustrating. The book also touches on themes of past relationships and flaws in personality.

"...The Lincoln Highway is a character-driven tale that is and pulled along through narratives of each major individual in the story...." Read more

"...Frankly, all of the characters have tragic histories, which makes them very interesting...." Read more

"...Both also include a very interesting female secondary character. In summary I really like this book...." Read more

"...At nearly 600 pages the characters have plenty of time to develop. I will say despite the length a few pages seemed wasted...." Read more

495 customers mention "Writing quality"436 positive59 negative

Customers praise the writing quality of the book. They find it well-crafted with rich prose from multiple points of view. The vocabulary is phenomenal, and the humor is intelligent. Readers appreciate the readable prose and homey dialogue.

"...It is mostly modern American conversational English. As such it makes for a good, but not simple, candidate for an audiobook...." Read more

"...There's a jail break, a lengthy discourse on making preserves, revenge, manslaughter, mental heath, an erotic circus, a mythic hobo, a..." Read more

"...It bloats his book. His folksy, homespun dialogue is nice but only carries the endless backstories so far. Eventually it wears thin...." Read more

"My second Towles book. He’s verbose but brilliant. You need to entertain the depth, event when at times unnecessary...." Read more

398 customers mention "Storytelling"376 positive22 negative

Customers enjoy the engaging stories and colorful characters in the book. They find the storyline intriguing and the author able to immerse them in the story, no matter how different it is. The characters have unique and important roles in the story, making reading the novel an immersive experience.

"...it is presented, through the varying viewpoints, enables readers to gain a fuller perspective of what is actually happening, and it adds to the..." Read more

"...The story had twists and turns, and by the end you realize there are deeper meanings to it...." Read more

"...This is a very different modern adventure story. No matter the level of excellence, not everyone will enjoy this novel...." Read more

"This book was a series of twists and turns, full of great characters and love...." Read more

229 customers mention "Insight"219 positive10 negative

Customers find the book insightful and thought-provoking. They appreciate the biblical references and philosophical themes as the tale of four teens unfolds. The story helps readers learn about themselves and humanity while having a good time. Readers mention that the book takes them through history and has a positive moral lesson at the end.

"...The manner in which it is presented, through the varying viewpoints, enables readers to gain a fuller perspective of what is actually happening,..." Read more

"...Towels does a great job of setting up the book. The beginning is totally captivating. His prose is excellent...." Read more

"...And Billy is, well, Billy: young, intelligent, idealistic and vulnerable...." Read more

"...in this book, forgiveness, love, compassion, selfishness, honor, and honesty. The story begins with Emmett being released from a reform school...." Read more

205 customers mention "Adventure"202 positive3 negative

Customers enjoy the book's adventure. They find the plot engaging and multidimensional, with a captivating travelogue of the human experience. The characters fill their dreams for days to come, making the book compelling and satisfying. Readers appreciate the historical fiction novel that is unique from chapter 10.

"...experience, the plotting is far from predictable and it keeps the reader's attention with unexpected twists and turns, much like any drive along an..." Read more

"...everyone straight but once you got to know them all it was a fun journey to go along on." Read more

"...What made this seem both charming and believable was the sense of love, forgiveness and a hopeful confidence that the journey they embark on will..." Read more

"...classics across the USA with twists and turns of fate, luck, and a bit of mystery. Well done Amor Towles!" Read more

313 customers mention "Storyline"140 positive173 negative

Customers have mixed opinions about the storyline. Some found the characters, overarching storyline, and interplay engaging. They appreciated the great ending with nice twists and turns. However, others felt the plot was convoluted and distracting.

"...Highway, is a very satisfying reading experience, the plotting is far from predictable and it keeps the reader's attention with unexpected twists..." Read more

"...The book is an interesting review of mid-century America...." Read more

"...There are shifting narrators. At times the story seems to meander, but I felt it mostly always came back on course and apparent diversions become..." Read more

"...And Billy is, well, Billy: young, intelligent, idealistic and vulnerable...." Read more

293 customers mention "Pacing"139 positive154 negative

Customers have different views on the pacing of the book. Some find it fast-paced and engaging, while others feel the characters are repetitive and difficult to root for. The story also detours into run-on and incomplete tangents, making it slow to draw you in.

"...and the dashes instead of quotation marks seemed gimmicky and purposeless...." Read more

"...The pages, nearly six hundred of them, turn quickly...." Read more

"...Unfortunately, the story constantly detours into run-on and incomplete tangents that reduce plot momentum...." Read more

"...It floats along, and we’re glad to be a part of the journey, even if we are only silently observing these characters, and the journeys - both..." Read more

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Rocky Macy
Beautiful Writing, Wonderful Story!
Reviewed in the United States on November 8, 2022
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The time was June of 1954, the place was a bankrupt farm in rural Nebraska, and the two central characters in this work of fiction were the Watson brothers, Emmett who was eighteen and his little brother Billy, who was eight. Emmett had been serving a sentence at a boy's reformatory for his part in the unintentional death of a local bully, but when his father died of cancer, a decision was made to release Emmett so that he could return home to care for his little brother.

Billy had been staying with neighbors awaiting his brother's return, while the bank had been preparing foreclosure documents on the family property. The neighbors were Sally, a nineteen-year-old friend of the Watson's, and her father. Sally was plainspoken to a fault and somewhat resentful of her lot in life - which seemed to be taking care of her father until some other man for her to take care of would come along, but she cared for Billy with the fierceness of a mother hen watching over her only chick.

As the story opened, Emmett, who had been serving his sentence on a work farm in Salina, Kansas, was being driven home to Nebraska by the warden of the reformatory. Emmett had plans to pick up his brother, spend a final day or two in the farmhouse, and then head out to Texas with Billy where he would make his fortune buying, remodeling, and selling houses, all financed by the secret nest-egg of three thousand dollars that their father had managed to hide from his creditors at the bank.

But Billy had a different plan. He had found a cache of postcards written by their mother just after she abandoned the family several years before - postcards that their father kept secret from the boys. The postmarks and notes on the cards indicated that after their mother left the family she had traveled along the Lincoln Highway, the nation's first transnational paved thoroughfare, headed for California. (The Lincoln Highway ran from Times Square in New York City to Lincoln Park in San Francisco. The Watson's farm was close to the halfway point on the highway.) Emmett had no interest in reconnecting with their mother, but Billy, who was little more than in infant when she left, did. He eventually managed to convince Emmett that California was growing faster than Texas and would be a better prospect for his home renovation plans.

All of their plans, however, were thrown into a cocked hat when Duchess and Woolly, two other young men who were serving time at the facility in Salina with Emmett, turned up at the Watson's farm after having stowed away in the trunk of the warden's car just as the warden and Emmett were preparing to leave Salina and head for Nebraska. Duchess was the son of an itinerate vaudeville actor and spent a lot of time growing up on the road and in and around New York City. Woolly was the son of a socially prominent New York family. Duchess, a charming plotter and manipulator, wanted Emmett - who had his own car - to drive them to New York where Woolly would access a pile of cash ($150,000) which his grandfather had set aside for him in the family safe as a "trust fund." If Emmett would drive them, they would split the trust three ways and Emmett would be set for set up to be a major homebuilder in California.

Emmett, who regarded himself as far more sensible than the other two former reformatory inmates, declined, but he eventually agreed to go out of his way and take them to the train station in Omaha where the escapees could board a train for New York City. However, while they were enroute to Omaha, Emmett managed to get distracted by another of Duchess's misadventures long enough for Duchess to "borrow" his car - and Duchess and Woolly headed off to New York leaving the Watson brothers stranded in rural Nebraska.

Emmett called Sally who came and transported them to the train station in Omaha where Emmett intended to board a train and head to New York City to get his car back, But after Sally left them at the train station, Emmett realized that his money, the nest-egg of $3,000, was still in the trunk of his car under the spare tire. After some careful research, he found an express freight train that was headed to New York City, and he and Billy secreted themselves in a boxcar.

And from there Emmett and Billy Watson began a journey which was marked by personal adventures and encounters with characters very reminiscent those experienced by Huck and Jim as they floated down the Mississippi on their raft in a bygone era.

The Lincoln Highway is a character-driven tale that is and pulled along through narratives of each major individual in the story. The manner in which it is presented, through the varying viewpoints, enables readers to gain a fuller perspective of what is actually happening, and it adds to the compelling nature of story. The pages, nearly six hundred of them, turn quickly.

While The Lincoln Highway, is a very satisfying reading experience, the plotting is far from predictable and it keeps the reader's attention with unexpected twists and turns, much like any drive along an unfamiliar road. It's a book that is hard to put down, and a story that is difficult to quit. While The Lincoln Highway almost begs a sequel, I hope that does not happen because a furtherance of this tale would only serve to dilute its magnificent impact.

This is a wonderful story, Mr. Towles. Your countless accolades are well deserved!

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JasonKilgore
Troubled boys on a journey with unexpected twists
Reviewed in the United States on February 27, 2025
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This book wasn’t what I expected, and that’s a good thing. I like surprises. The characters are very individualized and three-dimensional. The story had twists and turns, and by the end you realize there are deeper meanings to it. I found myself relating to the characters in different ways. 18-year old Emmett has lost his father, his mother, and then his father’s farm, all while dealing with having just been released from a juvenile work farm for unintentionally killing another boy in a fight. Now he has to make a plan for himself and his 10-year old brother, Billy, to make a new life together. But Emmett’s well-laid plans to travel the Lincoln Highway from Nebraska to San Francisco to start that new life are thrown into chaos by the unexpected appearance of two other boys his age, Duchess and Wooly, both of whom had been at the work farm with him and escaped. Duchess is mercurial and chaotic, though often well-meaning, and Wooly is intellectually challenged, but kind. Along the way, the four boys come to meet some other notable characters who sometimes help them and sometimes challenge them.

There are some almost-spoilers below, so stop here if you worry about it….

The name of the book is a bit misleading. The Lincoln Highway is really a “McGuffin” in that it triggers the plot but isn’t actually the planned route they ultimately follow. I didn’t mind that, but it did break the “contract with the reader” if you will, from the initial plan that was laid out early in the book. Really, the plot is driven by Duchess, a troubled boy who has his own motivations, which he justifies in different ways, that throws everyone else’s plans asunder. Frankly, all of the characters have tragic histories, which makes them very interesting. Another oddity about this book is that it starts sort of in the middle of the story (which is actually a plot point stated by Billy, who is obsessed with a book about heroes and their journeys), and at the end of the book you realize that the story hasn’t really ended for some of the characters yet. None of these things really take away from the quality of the story, it’s just something to note that sets this book apart from others and makes it unique. I will say, though, that Duchess was so much the driver of the story that all the other characters were a little weaker for it, where they were mostly reacting to Duchess in one way or another.

One thing I definitely did not like, though, was that the dialogue is written without quotation marks. Rather, Towles uses a dash to signify when a speaker has started dialogue, but nothing to signify when they stop the dialogue. Thus, it was occasionally confusing when they stopped and the prose began. Towles also needed more dialogue tags, as sometimes I was confused who was speaking which sentences.

Be prepared that this has a bit of a tragic ending that left me concerned for the motives of some of the characters I’d come to like. But overall, it was a worthy read.

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Haro Strait
Elegant prose, fascinating story, endearing characters
Reviewed in Canada on November 28, 2021
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This is another wonderful book from the author of A Gentleman in Moscow. Set in the US in the 50s, the story centres around two brothers who go on the road (willingly or not). Like "Gentleman", there are no villains - just characters who don't perceive the implications of their actions on others. The youngest of the characters, Billy, is a treat: wise beyond his years but still innocent. Each main character has their own sense of what's right and what's wrong and acts accordingly. The story is told from the multiple viewpoints of its characters and flows nicely towards the inevitable (and touching) end. Can't recommend it highly enough.

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Pankaj Bagri
An absolute masterpiece
Reviewed in India on December 26, 2024
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Amor Towles has a style of writing that is very unique. There are characters, there are events and then there are musings that are filled with so much wisdom. I kept putting down this "unputdownable" book again and again, so as to let the joy linger for longer.

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Celeste
Amazing Book
Reviewed in Germany on July 3, 2024
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The book itself is really good and this book edition in particular is really well done

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lucia arias schreiber
Genial
Reviewed in Spain on April 20, 2024
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El mejor libro de Amor Towels. La creación de personajes es fenomenal y la historia, maravillosa.

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R C.
Another great novel from Amor Towles
Reviewed in France on January 4, 2024
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A wonderful saga, well written as always. Highly recommended.

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Top reviews from the United States

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5.0 out of 5 stars Beautiful Writing, Wonderful Story!

4.0 out of 5 stars Troubled boys on a journey with unexpected twists

Top reviews from other countries

5.0 out of 5 stars Elegant prose, fascinating story, endearing characters

5.0 out of 5 stars An absolute masterpiece

5.0 out of 5 stars Amazing Book

5.0 out of 5 stars Genial

5.0 out of 5 stars Another great novel from Amor Towles

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Beautiful Writing, Wonderful Story!

Troubled boys on a journey with unexpected twists

Elegant prose, fascinating story, endearing characters

An absolute masterpiece

Amazing Book

Genial

Another great novel from Amor Towles