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Carefree Black Girls: A Celebration of Black Women in Popular Culture Kindle Edition

4.7 4.7 out of 5 stars 94 ratings

One of Kirkus Review's Best Books About Being Black in America

"
Powerful... Calling for Black women (in and out of the public eye) to be treated with empathy, Blay’s pivotal work will engage all readers, especially fans of Mikki Kendall’s Hood Feminism." —Kirkus (Starred)

An empowering and celebratory portrait of Black women—from Josephine Baker to Aunt Viv to Cardi B.

In 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was “a way to carve out a space of celebration and freedom for Black women online.”

In this collection of essays,
Carefree Black Girls, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in American culture--writers, artists, actresses, dancers, hip-hop stars--whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them. In writing that is both luminous and sharp, expansive and intimate, Blay seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.


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From the Publisher

Carefree Black Girls Zeba Blay Michael Arceneaux quote
Carefree Black Girls Zeba Blay
Carefree Black Girls Zeba Blay Tarana Burke quote

Editorial Reviews

Review

A GOODREADS MOST ANTICIPATED FALL BOOKS PICK
A
BUZZFEED "CAN'T WAIT TO READ THIS FALL" PICK
A
CHICAGO TRIBUNE BEST READS FOR RIGHT NOW PICK
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PUBLISHER'S WEEKLY HOLIDAY GIFT GUIDE PICK

"A powerful look at how Black women are treated and mistreated....[A] pivotal work" ―
Library Journal

"Remind[s] us of our beautiful complexity and capacity for fun." ―
Essence

“An
exuberant exploration of the ways Black women have defined pop culture. The creator of the viral #CareFreeBlackGirl cultural movement, Blay ventures beyond the “pithy, abstracted, tweet-able” declarations about Black women being “indeed essential to the... global zeitgeist” to offer a kaleidoscopic analysis of how American culture both needs and “belittles” Black female artists and storytellers such as herself….This fervent work will feel like a balm for many.” ―Publishers Weekly

"Blay's personal experiences with astute cultural analysis to explore how joy has become one of the most useful weapons in a Black woman's arsenal." ―Bitch Media

"Blay’s welcome voice is
candid, vulnerable, and necessary. Her observations about the impact Black women have had and continue to have on pop culture are searing and timely, and will have a lasting impact on how much the world sees and understands us." ―Tarana Burke, founder of the MeToo movement, and author of You Are Your Best Thing

“Blay is
one of the most formidable cultural critics writing today. Her words reflect intellect, wit, and a level of thoughtfulness that has long made her required reading. I love her candor, I love her passion, but above all, I adore the way she writes about Black women.” ―Michael Arceneaux, New York Times bestselling author of I Can’t Date Jesus

"Blay tells her Black girl truth and in so doing doesn’t simply reclaim the narrative but constructs an entirely new one on her own firm and fertile ground.” ―
Michaela angela Davis, Writer/Image Activist

Blay is a talent, mixing an encyclopedic knowledge of pop culture, past and present, with incisive commentary on race and gender and the unsurpassed wit of Zora Neale Hurston. A passionate, beautiful writer, Blay leaves me cackling during her much-needed, under-heard sermons.” ―Janet Mock, New York Times–bestselling author of Redefining Realness and Surpassing Certainty

"Blay's idea of Black womanhood is an inclusive one, where liberation is not just possible, but doable because it has the space for all Black women―cisgender, transgender, rich, poor, old, young, local, global―magnifying the potential for unity (and success) against the forces which mean them harm. Each essay carries with it truths that feel ancestral. Carefree Black Girls is the testimony I've been waiting to witness." ―Robert Jones, Jr., author of The Prophets; creator of Son of Baldwin

About the Author

ZEBA BLAY is a film and culture critic who has contributed to publications including The New York Times, The Village Voice, ESSENCE, Shadow and Act, Film Quarterly, and Indiewire. Formerly Senior Culture Writer at HuffPost, Blay has spent her nearly decade-long career writing about pop culture at the intersection of race, gender, and identity. Born in Accra, Ghana, she is based in the New York City area.

Product details

  • ASIN ‏ : ‎ B09186CBV5
  • Publisher ‏ : ‎ St. Martin's Griffin (October 19, 2021)
  • Publication date ‏ : ‎ October 19, 2021
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 8.6 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 252 pages
  • Customer Reviews:
    4.7 4.7 out of 5 stars 94 ratings

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Customer reviews

4.7 out of 5 stars
94 global ratings

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Top reviews from the United States

  • Reviewed in the United States on November 12, 2021
    A very insightful book that frames contemporary popular culture through a personal lens.
    It's a book you can finish quickly but it will sit with you for some time.
    6 people found this helpful
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  • Reviewed in the United States on October 21, 2021
    Zeba’s writing is very honest and open. I absolutely love her writing. Amazing book!
    6 people found this helpful
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  • Reviewed in the United States on June 24, 2022
    Blay presents these chapters like an extended series of Instagram posts, weaving together personal musings from her life, pop culture images, and a healthy sprinkling of connecting with Black feminist thought from diverse perspectives. The result is a text challenging and accessible for folks from the streets as well as an undergraduate classroom.

    Different positionalities will find different parts might be wanting. The breezy tone about even the most heavy topics and the places where a deep dive into the author’s personal experience is followed by feather-light citations of feminist texts, particularly frustrated this reader. Also wish pop culture writers, including but not limited to Blay, had more of a historian’s location of their analysis of a time period. Blay mentions I briefly as a writer consuming the culture of “the elder millenial,” while using more scholarly sources from across multiple decades. This reader wanted the text to grapple more with the process of consuming popular culture and scholarly, both produced by Black women, simultaneously. Still, there is much food for thought here, and it’s accessibility seems intentional and like a suitable on-ramp for internet denizens who want to go deeper.
    One person found this helpful
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  • Reviewed in the United States on February 26, 2022
    Loved loved loveddddd this book
    One person found this helpful
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  • Reviewed in the United States on March 8, 2022
    Standing ovation to Zeba to what she put out into the world and not giving a care about what others may have felt how “fair” it was. An applaud to black women and their existence. A grand celebration of black women and their achievements. She painted a picture of how it is under the spotlight as a black women in America. She also critiques the being of a light-skinned black women and varying opportunities compared to the darker-skinned black women. Colorism within the black community and it’s culture, conforming with how America thinks a black women should act, mental illness, and blacks unjustly dying one after another are huge topics of discussion that are being spoken up about. Topics that were taboo to speak of, ones she addresses head on.

    A constant head nod and “mmhmm” throughout the story; very much so during the GIRLHOOD chapter. She mentions how black women (males for that matter in different circumstances- sports for example) are seen as the main contributors to pop culture. How blackness is labeled as “ghetto” and “ratchet” yet those same people who are shouting ghetto and ratchet are the same people mimicking that same blackness; singing and dancing to those same songs. It’s a culture belittled, ridiculed, and shamed yet glorified, popularized, and “hip” when worn or paraded by white America. She talks about how difficult it is being a black women film critic. How a company will hire black and brown individuals to show their “representation” yet those black and brown individuals don’t have the same opportunities to the climb the clinical ladder. There are no minorities in leadership; very few and far in between. She touched on two women pioneers in the hip-hop industry beefing. How there can’t be two great, strong black women at the top (Nicki Minaj and Cardi B) there’s only room for one. These examples reminded me of a couple books I’ve read where these very situations were the meat of the stories: Seven Days in June by Tia Williams and The Other Black Girl by Zakiyia Dalila Harris.

    This is one quote of many that really hit home because growing up being told that we needed to be strong was what life was about. Having to be strong all the time is mentally taxing; but mental illness isn’t supposed to be a thing in the black community:

    “ ‘Strong’ suggests that it is part of the natural order of things for Black women to remain all alone in their pain even as they lift entire communities up. ‘ Strong’ is a *** myth”.

    * * *Random thoughts throughout the book:

    “They act like two legends can not co-exist”- J. Cole

    “I’m rooting for everyone black” - Issa Rae

    Great book!! Yes she angry… and here’s a snippet of why. If you know…you know and those who get it, just do.

    DISCLOSURE: Thank you to St. Martin’s Press for gifting me with an ARC of Carefree Black Girls through the Goodreads Giveaways. All opinions expressed in this review are entirely my own.
    2 people found this helpful
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  • Reviewed in the United States on October 19, 2021
    Title: Carefree Black Girls A Celebration of Black Women in Popular Culture
    Author: Zeba Blay
    Publisher: St Martin's Press
    Reviewed By: Arlena Dean
    Rating: Five
    Review:
    "Carefree Black Girls A Celebration of Black Women in Popular Culture" by Zeba Blay

    My Opinion:

    This author gives the reader a beautiful collection of essays that will leave you to ponder over long after the read. The author hits it when giving us a good explanation of what pressure and what it's like to have a black body and see how our world sees all of the expectations that have been set on them in our society and pop culture... Now, why is that?
    This novel gives the reader input on 'subjects such as racism, colorism, fatphobia, mental health, sexuality and what it means to be a black girl.' It was engaging learning about this author's persona regarding her own experiences, thoughts, and how well they relate to the subjects so well in an honest way. For it is essential that this type of information is put out there to be shared.

    Be ready for a well-written read that shares a 'reference section that includes articles, songs, and names that the author presents in the read along with her commentary that will give one a deeper exploration of topics and issues' that is fascinating and a must-read.
    3 people found this helpful
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  • Reviewed in the United States on October 19, 2021
    This book is a look and a celebration of black women’s identity and impact on pop culture by HuffPost critic, Zeba Blay.

    Blay was the first person to give us the #carefreeblackgirls, in 2013 on Twitter.

    This is a series of essays that took me longer than normal to read. This isn’t my story and I wanted to really absorb what she was saying.

    Blay takes us on a journey to meet black women who were significant throughout history. Each in a different way. Starting with Josephine Baker, Michelle Obama, and Cardi B and Lizzo!

    She shares her own story and experiences as well as those women she writes about.

    I think what I was left with in the end was a celebration of women who defy stereotypes. Women who stand up and stand out. Black women get things done. They are strong because they have had no other choice.

    What a beautiful look at the women who changed history really.

    NetGalley/ October 19th, 2021 by St. Martin’s Griffin
    3 people found this helpful
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