The best horror movies tend to be trendsetters, whether by launching a subgenre, introducing new visual techniques, reinventing familiar tropes, or employing clever marketing schemes. Everyone has a different favorite, but it's the rare genre where people—even those who prefer their Halloween films on the cozy side—tend to agree on a handful of paragons. You'll find grisly slasher flicks, eerie ghost stories, creature features, and psychological freakouts in equal measure here, making this a guide to the best horror movies of all time for beginners and repeat viewers alike.

32. The Wicker Man (1973)

Long before Midsommar came about, The Wicker Man supplied pitch-black horror set in broad daylight. A religious police sergeant (Edward Woodward) travels to a rural Scottish island to investigate a young girl's disappearance, but the locals' culty Pagan practices prove equally concerning. His eerie interactions play like fish-out-of-water social comedy, but any sense of security disappears in the lead-up to an electrifying finale that involves a folk hymn, a human sacrifice, and a lot of eccentric Scandinavian dancing.

31. The Others (2001)

The Sixth Sense is often hailed as horror's greatest twist ending, but what if The Others' is even better? A Gothic ghost story starring an immaculate Nicole Kidman as a pious mother who moves her two strange children to a remote mansion they quickly suspect is haunted, this is a chilling exercise in atmospheric tension. Like so many horror film narratives, it's about grief—but the titanic payoff is what sticks with you. Two decades later, it's worthy of canonization.

30. Cat People (1942)

It may be mellow by today's standards, but Cat People has ascended from popular B-movie to respected classic. A Serbian fashion illustrator (Simone Simon) engaged to a thoughtful engineer (Kent Smith) believes an ancient curse will turn her into a panther upon arousal, which is a pretty solid metaphor for the shame that accompanied sex in the censhorship-heavy '40s. Using noirish shades and a couple of well-placed jump scares that influenced future horror editors, Cat People is a relic rich enough to earn a bloated Paul Schrader remake in 1982.

29. A Nightmare on Elm Street (1984)

Wes Craven began his career as a gonzo provocateur (see: The Last House on the Left, The Hills Have Eyes) and eventually became a master of commercial crowd-pleasers. A Nightmare on Elm Street brought much-needed humor to the slasher craze, establishing Freddy Kruger as a fedora-wearing jokester who doubles as literal nightmare fuel.

28. The Omen (1976)

Hollywood spent the '70s trying to replicate the success of The Exorcist. Nothing came as close as The Omen, which summoned a demon by way of a 5-year-old Antichrist named Damien (Harvey Spencer Stephens). This was 1976's biggest summer hit, withstanding the critics who unjustly dismissed it.

27. Misery (1990)

Before there were stans, there was Annie Wilkes (a disconcertingly sweet Kathy Bates). She's one of those villains you know by name, shorthand for an overzealous admirer who'll stop at nothing to get what she wants from her favorite entertainer, romance novelist Paul Sheldon (James Caan). When Annie learns Paul has killed off her favorite literary protagonist, she wages warfare in an icy remote cabin where no captive's ankles are safe.

26. Eraserhead (1977)

Many of David Lynch's films borrow horror elements, namely Blue Velvet, Twin Peaks: Fire Walk with Me, Lost Highway, and Mulholland Drive. But his debut, Eraserhead, is the director's most straightforward genre piece, which is a weird thing to say about a surreal freakout that rose to prominence as a go-to midnight movie. The highlight is the unnerving sound design, a fizzy collection of static, mewling, and urban oddities that heighten the story of a misfit (Jack Nance) caring for an unseemly baby in a dank apartment.

25. Don't Look Now (1973)

Grief and the passage of time are two of horror's consistent preoccupations, and Don't Look Now turns them into a spectral saga about a couple (Julie Christie and Donald Sutherland) who travel to Venice while mourning the death of their daughter. There, they see apparitions of a young girl in a striking red coat who evokes the child they've lost, leading them down an occult rabbit hole.

24. Wait Until Dark (1967)

Audrey Hepburn weaponized her sweet persona in this terrifying home-invasion thriller, playing a blind housewife who has to ward off criminals inside her Manhattan apartment. You're not sure she'll pull it off, which turns Wait Until Dark into a pins-and-needles wallop that uses dim, angular corners to sustain suspense.

23. What Ever Happened to Baby Jane? (1962)

Call it hagsploitation if you want, but What Ever Happened to Baby Jane? remains one of the most delicious psychodramas ever made. Bette Davis and Joan Crawford milked their on-and-off rivalry to play sisters living out their troubled history as bitter adults. One is an unbalanced alcoholic (Davis) obsessed with her past as vaudeville's "Baby Jane" Hudson, the other a paraplegic (Crawford) whose own success came to a halt after a mysterious car accident. Together, they trudge through middle age in a mansion where Jane enacts various forms of phsychological terrorism. The pacing is a bit inconsistent, but the movie's demented kicks haven't dissipated.

22. The Fly (1986)

Several David Cronenberg movies could grace this list: Videodrome is his smartest, The Brood his most visceral, and Dead Ringers his most chilling. But The Fly is the ideal sweet spot between Cronenberg's potentially alienating outlandishness and his ability to craft a mainstream horror movie. The director's biggest hit brought what the schlocky 1958 original was missing: sophisticated effects and a giddy Jeff Goldblum. Chronicling an unconventional scientist whose teleportation experiment accidentally infuses him with the DNA of a housefly, the movie poignantly explores disease while never losing its verve.

21. The Blair Witch Project (1999)

No one would fault you for censuring the found-footage fever The Blair Witch Project induced. Most of the movie's imitators are mere gimmicks, whereas the OG was an ingenious feat of both filmmaking and marketing. Daniel Myrick and Eduardo Sánchez took a Hi8 camcorder into the woods of Maryland, gave their actors limited instructions, and made off with an all-timer. It's also one of the most profitable movies in history: Shot and edited for less than $1 million, Myrick and Sánchez recouped their budget on a Sundance acquisition deal alone. Then came the gargantuan worldwide grosses ($248.6 million), buoyed by a PR campaign that left the public unsure whether what they were seeing was real or fictional. No found footage will top this once-in-a-lifetime achievement or its chilling final scene.

20. Carrie (1976)

The pig's blood. The hand popping up from the gravesite. "Breasts, Mama. They're called breasts." Carrie is famous for its enduring imagery, so it's easy to forget how both profound and humorous the Stephen King movie adaptation can be. Sissy Spacek earned her first Oscar nomination for the title role, playing a lonesome high schooler whose physical awakening sparks further extremism from her hyper-religious mother (Piper Laurie, also Oscar-nommed). Beneath the mayhem is a story about a girl coming into her own and the terror that inspires in others. Brian de Palma has flirted with horror on other occasions (Sisters, Blow Out, Body Double), but this is the director's purest genre exercise.

19. Candyman (1992)

A precursor to Get Out, this supernatural slasher showpiece dared to tackle race in America mere months after Los Angeles erupted into riots over the brutality police inflicted on an unarmed Rodney King. Candyman links inner-city racism to 1800s slavery, following a graduate student (Virginia Madsen) as she investigates an urban legend about a Black ghoul (Tony Todd) who stalks the Chicago housing project where he was killed by a savage lynch mob. It's a tour de force that peppers its entertaining menace with a dose of intellectualism.

18. Night of the Living Dead (1968)

George Romero established the zombie-movie template with this scrappy black-and-white independent sleeper that's often considered an allegory about the atrocities of the Vietnam War. Influenced by the novel I Am Legend, Romero and co-writer John Russo made Night of the Living Dead for approximately $880,000 in today's money. The grainy aesthetics make it feel unsettlingly real. Even without sophisticated special effects, some spectators likened Living Dead's violence to pornography, proving the film had hit a nerve.

17. Frankenstein (1931)

In the 1930s and '40s, Universal Pictures was Hollywood's signature horror house. Starting with 1931's Dracula and spanning The Mummy, The Invisible Man, The Black Cat, and The Wolf Man, the studio invented creature features as we know them. The best of the bunch is Frankenstein, a Gothic adaptation of Mary Shelley's novel that cemented how we would forever imagine the titular scientist's laboratory monster (Boris Karloff). Many sequels, spin-offs, remakes, and parodies have followed, but none would shock like the sight of Dr. Frankenstein's ogre chucking a trusting young girl into a lake.

16. Peeping Tom (1960)

By the late '70s, everyone knew what a slasher movie was. But when Peeping Tom arrived in 1960, audiences weren't yet conditioned to expect the bloodthirst that would define the subgenre. People were shocked to see a movie told from the perspective of a voyeuristic serial killer (Carl Boehm) who records his murders with a hidden camera so he can watch them in the comfort of his London apartment. He's as much protagonist as he is antagonist, if only because he's such a detailed character, elevated by the gorgeous Eastmancolor—a single-strip alternative to laborious Technicolor—that director Michael Powell used.

15. Audition (1999)

Japanese horror traveled westward in the '90s and early 2000s, prompting American diehards to look beyond their own country for the genre's gutsiest work. Cure, Ringu, and Kairu are great, but Audition is the J-horror pinnacle, a deceptive slow burn with one of the most disturbing final acts committed to film. What starts as a simple premise about entitlement—with the help of his producer friend (Jun Kunimura), a widower (Ryo Ishibashi) stages mock movie-casting trials to find a new wife—turns into a revenge saga as meaningful as it is gnarly. When his chosen sweetheart (Eihi Shiina) flips the script using a syringe and a wire saw, Takashi Miike's film becomes a disquisition on wounds of all kinds.

14. Suspiria (1977)

Four decades before Luca Guadagnino turned it into a slice of art-house philosophizing, Suspiria was a phantasmagoric caffeine drip. It's part slasher movie, part supernatural thriller, part body-horror whatsit about witches at a German dance academy. Directed by the outré Dario Argento, the unclassifiable gem is suffused in blood-red palettes and a pulsating score that prog-rock band Goblin recorded before cameras even rolled. Argento's original 35mm print was lost for many years before being mysteriously discovered at an abandoned Italian cinema in 2017, at which point the cult favorite enjoyed a renaissance, right in time for Gudagnino's update.

13. Jaws (1975)

Jaws has a lot of firsts to its name: the first proper summer blockbuster, Steven Spielberg's first big hit, the first major movie shot on the ocean, and the first movie to cross $100 million at the box office. The ostinato that begins John Williams' score—a long, ominous *daaaaah-dah—*still strikes fear into hearts everywhere, and sharks have been in desperate need of a rebranding ever since.

12. Get Out (2017)

Jordan Peele has grown more ambitious with his later features, Us and Nope, but Get Out remains his crowning achievement. The sketch writer capitalized on his intuitive understanding of comedy to make a horror movie that's as funny as it is scary and as exciting as it is socially resonant. Few directors balance those poles seamlessly, and few in recent memory have added so much to our cultural vernacular (the Sunken Place, "I would have voted for Obama for a third term if I could"). In Daniel Kaluuya, Peele found a pitch-perfect proxy for his twisty tale about a Brooklyn photographer who tries to ignore many, many red flags while accompanying his white girlfriend (Allison Williams) on a trip to visit her wealthy family. Everybody wants to make their own Get Out, but no one has come close.

11. Poltergeist (1982)

Two years after Jack Torrance's "heeeere's Johnny," little Carol Anne Freeling (Heather O'Rourke) turned away from her staticky television set and gave her own spring-chilling warning: "They're here." But who? Uncertainty made it frightening. The "who" turned out to be phantoms that move objects and bring trees to life, sucking Carol Anne into a portal requiring paranormal intervention. Directed by Tobe Hooper (with a crucial assist from Steven Spielberg), Poltergeist—with its Oscar-nominated visual effects and affecting performances from JoBeth Williams, Craig T. Nelson, and Zelda Rubinstein—is an exemplar about the demons of suburbia.

10. Diabolique (1955)

This master class in suspense isn't based on a true story, but you can feel its DNA all over today's crime obsession, true and otherwise: the domestic discord, the vengeance scheme gone wrong, the what-did-they-get-themselves-into fallout. Hitchcock desperately wanted to make Diabolique, which is based on a novel by the French duo Boileau-Narcejac. Henri-Georges Clouzot got there first, casting his wife, Véra Clouzot, as a boarding-school proprietor who plots to kill her domineering husband (Paul Meurisse) with the help of his mistress (Simone Signoret). The movie's ghostly interiors foster a dread that builds toward a thrilling, unpredictable climax.

9. Scream (1996)

After a glorious run in the '70s and '80s, horror hit something of a downward slope in the '90s. Tropes had grown too shopworn, and narrative preoccupations too familiar for an era that let all sorts of mid-budget adult genres thrive. Leave it to Wes Craven to resuscitate what we'd lost. In Scream, he and writer Kevin Williamson dissected slasher clichés while serving them up wholesale. They created another indelible protagonist in Sidney Prescott (Neve Campbell), who took the reins after Drew Barrymore’s bravura "do you like scary movies?" opening and—until a recent pay discrepancy—long ruled the still-effective Scream franchise.

8. The Texas Chain Saw Massacre (1974)

The Texas Chain Saw Massacre transcended the exploitation at its core by being about something: a family whose working-class slaughterhouse jobs were rendered obsolete by industrialization. They just so happen to be murderous cannibals who gleefully hack away at a group of teenagers who stumble upon their remote farmhouse. Tobe Hooper’s visceral movie, partly inspired by real-life serial killer Ed Gein, captured the chaotic ethos of the mid-'70s, all the way to the unforgettable image of bloody Sally Hardesty (Marilyn Burns) hysterically laughing as she flees Leatherface’s rampage.

7. Psycho (1960)

Both the slasher genre and the crime-thriller genre are indebted to Psycho, the defining work of Alfred Hitchcock’s career. In committing Robert Bloch’s 1959 novel to film, Hitch made the villain his film’s most complex figure. Norman Bates (the ever-underrated Anthony Perkins) is a dissociative loner with mommy issues that are every bit as shocking as the early muder of marquee star Janet Leigh. Psycho changed moviegoing forever: Breaking with the era’s norms, audiences had to arrive on time, lest they miss crucial details. Beyond that, the movie mainlined violence and sexuality in ways that would influence Hollywood for decades.

6. Alien (1979)

Whether Ridley Scott’s Alien should be classified as science fiction or horror feels irrelevant when the movie is so damn scary. Long hallways and clinical white interiors turn the Nostromo spacecraft into a haunted house, substituting ghosts for H.R. Giger-designed xenomorphs. The genre wasn’t known for fearless heroines before Sigourney Weaver showed up as Ellen Ripley, a generation-defining lion who outlived all the fussy men around her.

5. The Shining (1980)

The lore surrounding The Shining is as memorable as the movie itself. Stephen King didn’t think Stanley Kubrick successfully adapted his novel, nor did many critics when it first opened. Kubrick asked so much of Shelley Duvall on the set that she became overwhelmed and physically ill. And the plot itself prompted enough interpretations to merit an entire documentary that interpreted the interpretations. Altogether, that mythology only amplifies the film’s impact, making it even more layered. A hair-raising masterpiece about a hotel caretaker (Jack Nicholson) losing his mind over the course of one frigid winter, The Shining is a Rorschach test in horror form.

4. Halloween (1978)

Halloween’s opening scene alone makes it immortal. In five resourceful minutes, John Carpenter crafts what could be a standalone short, using a seemingly unbroken first-person perspective shot filtered through the eyes of a 6-year-old boy who puts on a mask and kills his teenage sister. That boy, of course, was Michael Myers. Carpenter never intended for him to become a decades-spanning franchise baddie laden with overblown mythology. Halloween was a shoestring independent project: Everything feels and looks organic, creeping through fictional Haddonfield, Illinois, in ways that startled viewers anew. Horror continues to strive for the same unbridled pleasure—and for scores as influential—but few boogeymen live up. 

3. The Silence of the Lambs (1991)

The Silence of the Lambs is the only horror movie that has won the Oscar for Best Picture, in part because it can't be confined to one label. In a sense, cannibalistic serial killers Hannibal Lecter (Anthony Hopkins) and Buffalo Bill (Ted Levine) are window dressing for a psychological drama about an FBI trainee (Jodie Foster) wrestling with the demons of her childhood. But the artful complexities don't make those slithery scoundrels any less scary. In Jonathan Demme’s gifted hands, every character is a fully-formed human being—something that can’t be said of many horror villains. Everything builds toward the harrowing night-vision climax in which a breathy Clarice Starling confronts her fears in pitch black.

2. The Exorcist (1973)

Often hailed as the scariest movie ever made, The Exorcist is the rare auteur-driven hit whose datedness hasn’t dulled its shock. Part of that is owed to William Friedkin’s chilly atmospherics, and part is because, at its core, this is a sympathetic story about a mother (Ellen Burstyn) fighting desperately to protect her daughter (Linda Blair). In addition to inspiring umpteen copycats that couldn’t measure up, The Exorcist prefigured the so-called Satanic panic that gripped America in the 1980s and '90s.

1. Rosemary’s Baby (1968)

A landmark of feminist horror was made by a man who later confessed to raping a 13-year-old girl. Somehow, that contradiction doesn't dampen Rosemary’s Baby, a movie that continues to influence droves of horror filmmakers. Its story comes from an Ira Levin novel, and its effectiveness is owed as much to Mia Farrow’s stirring performance as it is to Roman Polanski’s slick direction. This is arty horror at its most mainstream, a studio movie full of odd idiosyncrasies unlikely to see a wide release today. But it’s every bit as perfect as it was in 1968, turning the story of a chic Manhattinite who rightfully suspects her neighbors (Sidney Blackmer and the great Ruth Gordon) are running a Satanic cult with the help of her husband (John Cassavetes) into a deep statement on womanhood.

Next up, browse our guide to the best Halloween movies on Netflix.